2020 applicants
Undergraduate Course

BA Art History with Modern Languages

(Including Foundation Year and Year Abroad)

Now In Clearing
BA Art History with Modern Languages

Overview

The details
Art History with Modern Languages (Including Foundation Year and Year Abroad)
VR3B
October 2020
Full-time
5 years
Colchester Campus
Essex Pathways

Our five-year BA Art History with Modern Languages (including foundation year), will be suitable for you if your academic qualifications do not yet meet our entrance requirements for the four-year version of this course and you want a programme that increases your subject knowledge as well as improves your academic skills in order to support your academic performance.

This five-year course includes a foundation year (Year Zero), followed by a further four years of study including a study abroad year. During your Year Zero, you study three academic subjects relevant to your chosen course as well as a compulsory academic skills module, with additional English language for non-English speakers.

You are an Essex student from day one, a member of our global community based at the most internationally diverse campus university in the UK.

After successful completion of Year Zero in our Essex Pathways Department, you progress to complete your course with our School of Philosophy and Art History.

Our course allows you study the history and theory of art combined with French (post-A Level), German, Italian, Spanish or Portuguese (post-A Level or ab initio), and includes the chance to spend a year abroad studying at one of our partner institutions, such as the Ecole du Louvre in Paris.

You receive a distinctive curriculum which covers the whole history of art, enabling you to choose from a variety of specialist options, while simultaneously becoming proficient in one or more languages. You engage with art works that range from Old Master paintings, through the Pre-Raphaelites and Surrealists, to the most up-to-date contemporary art and visual culture.

Modules explore a wide variety of media, including architecture, urbanism, photography and video, as well as painting, drawing, printmaking, performance art and sculpture. We have also embedded clear pathways to careers in curating and museumship throughout the course should you wish to take them, with modules in every year dedicated to the histories, theories and practices of museums, exhibitions and galleries. At the same time you can either begin the study of a language as complimentary to your course, or improve your current language skills.

One of the major reasons for choosing Essex is the quality of the education you will receive. We are ranked 6th among Art History departments in the UK for research excellence (REF 2014, mainstream universities, THE 2014). You will be taught by our expert staff in your very first year, a rarity in UK art history courses.

We are also 4th in the UK for research excellence (REF 2014, mainstream universities, THE 2014) for Social Sciences in which our Language and Linguistics department is based; a place where talented students become part of our respected academic community.

Why we're great.
  • We equip you with the necessary knowledge and skills to succeed at Essex and beyond.
  • Our international students benefit from a single visa for all four years of study.
  • Small class sizes allow you to work closely with your teachers and classmates.
THE Awards 2018 - Winner University of the Year

Study abroad

Your education extends beyond our University campus. On this course you spend the fourth of your five years studying abroad experiencing, engaging with, and integrating into another culture.

You can study at one of the prestigious universities with which we have exchange links. These include universities in:

  • France (Lyon 3, Montpellier and Nice)
  • Germany (Berlin FUB, Trier and Konstanz)
  • Italy (Bologna, Trento and Urbino)
  • Portugal (Coimbra)
  • Brazil (Florianopolis and Salvador)
  • Spain (Murcia, Madrid, Cadiz and Granada)
  • Chile (Santiago)
  • Colombia (Bogota)
  • Mexico (Mérida and Monterrey)

You continue to study modules relevant to your course, learning your chosen languages within a country that speaks them. You may also undertake a period of study followed by a work placement abroad.

Whichever option you choose, studying abroad allows you to experience other cultures and languages, to broaden your degree socially and academically, and to demonstrate to employers that you are mature, adaptable, and organised.

For students who commence their course in 2020, if you spend a full year abroad you’ll pay no tuition fees to Essex for that year. You won't pay any tuition fees to your host university either.

Our expert staff

We have some of the best teachers across the University in our Essex Pathways Department, all of whom have strong subject backgrounds and are highly skilled in their areas.

In our School of Philosophy and Art History we are a dynamic group of art historians who investigate the production and reception of images and built environment, across cultures and media, from the early modern period to the present day.

Our art history staff’s research interests include activist art, modernist art and totalitarianism, the relationship of art and science, the artistic status of body modification, expressions of societal anxiety in art, as well as architecture and urbanism.

Our language and linguistics staff are internationally renowned. Their books dominate the reading lists at other universities. All our language teachers are native or bilingual speakers, we maintain excellent student-staff ratios, and we integrate language learning with linguistics wherever there is synergy.

In addition to helping you acquire practical foreign language skills, our staff share their expertise with you in the areas of professional translation, interpreting and subtitling, film and art, business, and culture.

Specialist facilities

By studying within our Essex Pathways Department for your foundation year, you will have access to all of the facilities that the University of Essex has to offer, as well as those provided by our department to support you:

  • We provide computer labs for internet research; classrooms with access to PowerPoint facilities for student presentations; AV facilities for teaching and access to web-based learning materials
  • Our new Student Services Hub will support you and provide information for all your needs as a student
  • Our social space is stocked with hot magazines and newspapers, and provides an informal setting to meet with your lecturers, tutors and friends

Take advantage of our other extensive learning resources to assist you in your studies:

  • Our Essex Collection of Art from Latin America (ESCALA) is the most comprehensive Latin American art research resource in the UK and has a state-of-the-art teaching and research space. Many of our students gain work and research experience through our collection
  • Our onsite gallery Art Exchange runs an ongoing programme of contemporary art exhibitions, talks by curators and artists, and exhibitions organised by our curatorial students
  • Enjoy regular visits to London galleries, including Tate Modern, Tate Britain, the National
  • Access to two multimedia language teaching labs which are equipped with state-of-the-art Melissi Digital Classroom software, and fitted with computers integrating audio-visual projectors and large screens
  • Meet other linguists and practice your language skills at our Language Cafés

Your future

Companies and organisations in the UK and abroad are struggling to find university graduates who are fluent in at least one other language, apart from English. Language skills are in scarce supply and can be used in almost any job.

Graduates from our BA Art History with Modern Languages are prepared for roles as curators, teachers, translators and journalists. Having strong language skills have enabled our graduates to work in diverse fields including banking, entertainment, media, education and tourism for UK and international companies.

Our recent graduates have gone onto work for a wide range of organisations including:

  • Foreign and Commonwealth Office
  • National Portrait Gallery
  • Victoria and Albert Museum

We also work with the university's Student Development Team to help you find out about further work experience, internships, placements, and voluntary opportunities.

Entry requirements

Clearing entry requirements

Specific entry requirements for this course in Clearing are not published here but for most of our degree courses you will need to hold a Level 3 qualification. If you are interested in applying and have already received your results, use our Clearing application form to apply for 2020 entry and find out if you are eligible. You will be asked to provide details of your qualifications and grades.

English language requirements

English language requirements for applicants whose first language is not English: IELTS 5.5 overall. Specified component grades are also required for applicants who require a Tier 4 visa to study in the UK.

Other English language qualifications may be acceptable so please contact us for further details. If we accept the English component of an international qualification then it will be included in the information given about the academic levels required. Please note that date restrictions may apply to some English language qualifications

If you are an international student requiring a Tier 4 visa to study in the UK please see our immigration webpages for the latest Home Office guidance on English language qualifications.

If you do not meet our IELTS requirements then you may be able to complete a pre-sessional English pathway that enables you to start your course without retaking IELTS.

Additional Notes

Our Year 0 courses are only open to UK and EU applicants. If you’re an international student, but do not meet the English language or academic requirements for direct admission to your chosen degree, you could prepare and gain entry through a pathway course. Find out more about opportunities available to you at the University of Essex International College.

Structure

Example structure

We offer a flexible course structure with a mixture of compulsory and optional modules chosen from lists. Below is just one example structure from the current academic year of a combination of modules you could take. Your course structure could differ based on the modules you choose.

Our research-led teaching is continually evolving to address the latest challenges and breakthroughs in the field, therefore all modules listed are subject to change. Your course structure could differ based on the modules you choose. To view the compulsory modules and full list of optional modules currently on offer, please view the programme specification via the link below.

Introduction to the History of Art in Western Europe: From Classical Greece to Impressionist France

This module aims to introduce you to the history of painting, sculpture and architecture in Western Europe. We hope that through following the course you will become familiar with the way people interpret and write about art, and that you will develop your own style of discussing art. The module focuses on certain key concepts. We start by looking at Greek Civilisation and its influence, and end with the artistic revolutions in France which changed the way we look at art today.

View Introduction to the History of Art in Western Europe: From Classical Greece to Impressionist France on our Module Directory

Philosophy: Fundamental Questions, Major Thinkers (optional)

What can we know? How should we live? Study two important areas of philosophy – epistemology and ethics. Examine the work of key thinkers and understand the major themes in Western philosophy. Analyse contemporary issues using philosophical arguments. Become confident in the expression of your own thoughts and ideas.

View Philosophy: Fundamental Questions, Major Thinkers (optional) on our Module Directory

1939–2019: Eighty Years in the Life of the United Kingdom (optional)

Britain has experienced unprecedented changes in the last 100 years. What has brought about these changes and how have they affected the Britain of today? This course will outline political, economic, social and cultural change in the UK during the Twentieth Century and beyond and offer an insight into Britain’s place in the modern world.

View 1939–2019: Eighty Years in the Life of the United Kingdom (optional) on our Module Directory

Collect, Curate, Display: A Short History of the Museum (optional)

This module offers an introduction to the history of museums and galleries. It combines a historical and theoretical investigation of the subject with some hands-on curatorial assignments. We will consider the basic human instinct to collect and the creation of the first museums. We will examine ideas about taxonomy, ordering the world and the first museum spaces of display, asking questions about privilege and power. How have museums and galleries shaped history and science? What ethical issues are there today around these spaces? Should tobacco, oil and arms companies sponsor museums? Can museums be tools of ‘urban regeneration’? Do online archives and 3D scanning make museums themselves obsolete institutions?

View Collect, Curate, Display: A Short History of the Museum (optional) on our Module Directory

Art and Ideas: I

This module tackles some of the biggest questions surrounding the history of art. You will explore some key issues of philosophical aesthetics, such as the nature of representation, by engaging critically with seminal texts, artworks, and architecture. Through debates and essays, you will develop your analytical and interpretive skills, and leave with a solid foundation for the study of the history of art.

View Art and Ideas: I on our Module Directory

Skills for University Studies

Making the transition from school to University studies can be challenging. This module will introduce you to University life and enable you to acquire the study skills to make a success of your degree. It also orients you to work, volunteering and extra-curricular activities so that you can acquire additional skills and experience while you study.

View Skills for University Studies on our Module Directory

Art, Sex and Death (optional)

FROM THE SUN KING TO THE FIRST EMPIRE: Scandal. Executions. Diamonds. Lust. Sex and death were constant themes of the art in France from the middle of the seventeenth century to the first quarter of the nineteenth. We will look at the opulence and decadence of the court of Louis XIV at Versailles, move towards the violent post-revolutionary world of the Terror, and end with the ambitious First Empire of Napoleon.

View Art, Sex and Death (optional) on our Module Directory

Space, Place and Locality (optional)

In a mixture of lectures and site visits, learn about the history of architecture and the relationship between spaces and those who inhabit them. This module is intended to serve as an introduction to architectural history, as well as concepts of visual culture, urbanism, and the critical theories of space. As part of this module students will be required to go on four trips. They are given a full subsidy by the department towards their travel costs where necessary. Students will know which weeks the trips will be taking place in advance so they are advised to make travel arrangements early to make sure the subsidy covers the costs.

View Space, Place and Locality (optional) on our Module Directory

Art Revolutions (optional)

Realism and Impressionism. Meet the rule-breakers. What is it that motivates an artist to break the mould? Focussing on Realism and Impressionism in France, this module identifies not only how the political, social and economic changes during the nineteenth century affected art and creative thinking, but how this vibrant and multi-faceted group of artists, who refused to follow the crowd, influenced their world. Through analysis of primary and secondary sources, you’ll explore their historical reputation, as well as their relevance today.

View Art Revolutions (optional) on our Module Directory

Intensive Initial French 1 (optional)

This module is for students with little or no knowledge of French. It is an interactive and intensive language module which uses various strategies for fast paced progress through the French language. It explores both the communicative and the structural aspects of the French language.

View Intensive Initial French 1 (optional) on our Module Directory

Intensive Initial French 2 (optional)

Continuing on from French Intensive Initial 1, this is an interactive and intensive language module for those who have little or no knowledge of French. It explores both the communicative and the structural aspects of the French language.

View Intensive Initial French 2 (optional) on our Module Directory

Intensive Initial German 1 (optional)

Want to learn German from scratch? Study the German language from basic to advanced level, so that you can communicate in complex situations and read extended texts, like newspaper articles. Learn how to give short talks or presentations in German and be able to write German coherently.

View Intensive Initial German 1 (optional) on our Module Directory

Art and Ideas II: More Art, More Ideas - Critique and Historiography in the History of Art

New, exciting, and unconventional practices call for new, exciting and unconventional theories. This module will look at how art history has developed in the twentieth century, expanding the discipline to include visual culture, cultural studies of mass culture, performance, material culture, design history and digital culture. These new ways of seeing are often driven by a critical impetus, and allow us to look in new ways at social and political issues of activism and social change, sex, technology, memes, police violence, migration, austerity and crisis, state surveillance, and our relation to animals and the environment.

View Art and Ideas II: More Art, More Ideas - Critique and Historiography in the History of Art on our Module Directory

After Impressionism: European Art From Van Gogh to Klimt

How did artists working at the end of the nineteenth century respond to the legacy of Impressionism as the quintessential art of modern life? We will attempt to discover what it really meant to be 'modern' in turn-of-the century Europe and how artists responded to the dramatic political, social and technological changes that we call modernisation.

View After Impressionism: European Art From Van Gogh to Klimt on our Module Directory

Becoming Modern: European Art From Futurism to Surrealism

This module seeks to answer the thorny question ‘What makes art modern?’ by considering different strands of European modern art from 1900 to the Second World War, including Futurism, Constructivism and Surrealism. Some key issues addressed include the birth of abstraction; the relationship between art and politics; and intersections between art, mass media and consumer culture.

View Becoming Modern: European Art From Futurism to Surrealism on our Module Directory

Art in Latin America

Come face-to-face with over 750 original artworks from 19 countries in the Essex Collection of Art from Latin America (ESCALA). This major, unique, and internationally recognised collection, with works dating from the 1960s to today, is yours to make the most of. Investigate the themes of landscape, revolution, human rights, and the environment, which permeate many of the works and reflect the historical and contemporary challenges faced by the region, and debate the role Latin American art has in the wider art world.

View Art in Latin America on our Module Directory

Proficiency Level German (optional)

Want to improve your German? Study a variety of topics, including the environment and German history, to build your vocabulary and knowledge. Learn to interact in everyday situations, as well as in discussions on more specialised topics. Become familiar with more complex grammar, while developing your oral and written skills.

View Proficiency Level German (optional) on our Module Directory

Management and the Cultural Industries

An increasingly important sector, the cultural industries are distinctive both in terms of their political economy and their organizational forms, management systems and labour processes. You consider what is distinctive about culture as an economic product, and what this distinctiveness means for the structure of the industries.

View Management and the Cultural Industries on our Module Directory

Contemporary Art: 1980 to the Present (optional)

Thai curry for gallery-goers, and the aftermath of a monster attack – just two examples of how contemporary artists are pushing techniques, processes and media to the limit. Explore how the attitudes and approaches to art have evolved over the last 30 years, and the crucial precursors who influenced them, whilst always considering how the context in which art is made and received – be it geographical, sociological, political, or philosophical – affects its production, reception, and interpretation.

View Contemporary Art: 1980 to the Present (optional) on our Module Directory

Photography in History (optional)

From mementos on the walls of our homes to perfume ads in glossy magazines to selfies on your mobile – photographs are everywhere. In this module, explore how the birth of the camera changed the way people saw themselves and their world, and how it continues to do so. Learn about the history of photography, interpreting and analysing both photographs and texts, and see how the photograph’s status shifted over time from document to artwork.

View Photography in History (optional) on our Module Directory

Art, the Law and the Market (optional)

When artworks or artefacts have been looted, should finders really be keepers? What causes an artwork to fetch £100 million at auction? And when is it (il)legal to reproduce another artist’s work and claim it as one’s own? Study how issues of property rights, valuation, market transparency and digitisation have shaped -- and continue to reshape -- the field of art across different media.

View Art, the Law and the Market (optional) on our Module Directory

Art and Ideas III (optional)

New, exciting, and unconventional practices call for new, exciting and unconventional theories. This module deepens your existing thematic and historiographical knowledge, concentrating on contemporary art and philosophical responses to it. You’ll find out why contemporary art forced a new beginning in the way we theorise art, examine the connection between the new and the museum, and learn more about viewer participation and the role of the spectator.

View Art and Ideas III (optional) on our Module Directory

Curatorial Project (optional)

In this module you will produce a 4,000-word curatorial project proposal. As part of the proposal, you will develop a virtual exhibition on a subject of your choosing. The final proposal could include a checklist of objects, catalogue entries and a catalogue essay. You will work in collaboration with a supervisor. This is a capstone module, available to final-year curatorial studies students.

View Curatorial Project (optional) on our Module Directory

Visualising Bodies (optional)

The human body was a central preoccupation of Renaissance artists. This module investigates the varied ways in which painters, sculptors and architects approached the body in their works, taking in case studies that range from the early 1300s to the early 1600s. The primary focus is on Italy, although the module also examines a number of northern European works. Artists considered include Giotto, Dürer, Caravaggio, and others. In looking at the works of these artists, the module investigates how the body could become the vehicle for ideas about politics, gender, sexuality, philosophical discussion, and more.

View Visualising Bodies (optional) on our Module Directory

Mastery Level French (optional)

Want Final Honours level competence in French? Wish to deal quickly and precisely with any written or spoken document? Refine your knowledge of French grammar and vocabulary to near-native level comprehension. Undertake collaborative research into topical issues, and consolidate your understanding of French culture.

View Mastery Level French (optional) on our Module Directory

Year abroad

On your year abroad, you have the opportunity to experience other cultures and languages, to broaden your degree socially and academically, and to demonstrate to employers that you are mature, adaptable, and organised.

Teaching

  • Your teaching mainly takes the form of lectures and classes, the latter involving about 20 students
  • A typical timetable includes a one-hour lecture and a one-hour class for each of your four modules every week
  • Any language classes involve language laboratory sessions
  • Our classes are run in small groups, so you receive a lot of individual attention

Assessment

  • Your assessed coursework will generally consist of essays, reports, in-class tests, book reviews, individual or group oral presentations, and small scale research projects

Fees and funding

Home/EU fee

£9,250

International fee

£16,050

Fees will increase for each academic year of study.

Home and EU fee information

International fee information

What's next

Open Days

Our events are a great way to find out more about studying at Essex. We run a number of Open Days throughout the year which enable you to discover what our campus has to offer. You have the chance to:

  • tour our campus and accommodation
  • find out answers to your questions about our courses, student finance, graduate employability, student support and more
  • meet our students and staff

Check out our Visit Us pages to find out more information about booking onto one of our events. And if the dates aren’t suitable for you, feel free to book a campus tour here.

2020 Open Days (Colchester Campus)

  • Saturday, September 19, 2020
  • Saturday, October 24, 2020

How to apply during Clearing

Once you’ve checked that we have the right course for you, applying couldn’t be simpler. Fill in our quick and easy Clearing application form with as much detail as you can. We’ll then take a look and get back to you with a decision. There’s no need to call us to apply; just do it all online.

Find out more about Clearing

Interviews

We don’t interview all applicants during Clearing, however, we will only make offers for the following course after a successful interview:

  • BA Multimedia Journalism
  • BSc Nursing (Adult)
  • BSc Nursing (Mental Health)
  • BA Social Work

The interview allows our academics to find out more about you, and in turn you’ll be able to ask us any questions you might have. Further details will be emailed to you if you are shortlisted for interview.


Apply now
Colchester Campus

Visit Colchester Campus

Home to 15,000 students from more than 130 countries, our Colchester Campus is the largest of our three sites, making us one of the most internationally diverse campuses on the planet - we like to think of ourselves as the world in one place.

The Campus is set within 200 acres of beautiful parkland, located two miles from the historic town centre of Colchester – England's oldest recorded town. Our Colchester Campus is also easily reached from London and Stansted Airport in under one hour.

 

Virtual tours

If you live too far away to come to Essex (or have a busy lifestyle), no problem. Our 360 degree virtual tours allows you to explore our University from the comfort of your home. Check out our Colchester virtual tour and Southend virtual tour to see accommodation options, facilities and social spaces.

Exhibitions

Our staff travel the world to speak to people about the courses on offer at Essex. Take a look at our list of exhibition dates to see if we’ll be near you in the future.

At Essex we pride ourselves on being a welcoming and inclusive student community. We offer a wide range of support to individuals and groups of student members who may have specific requirements, interests or responsibilities.


Find out more

The University makes every effort to ensure that this information on its programme specification is accurate and up-to-date. Exceptionally it can be necessary to make changes, for example to courses, facilities or fees. Examples of such reasons might include, but are not limited to: strikes, other industrial action, staff illness, severe weather, fire, civil commotion, riot, invasion, terrorist attack or threat of terrorist attack (whether declared or not), natural disaster, restrictions imposed by government or public authorities, epidemic or pandemic disease, failure of public utilities or transport systems or the withdrawal/reduction of funding. Changes to courses may for example consist of variations to the content and method of delivery of programmes, courses and other services, to discontinue programmes, courses and other services and to merge or combine programmes or courses. The University will endeavour to keep such changes to a minimum, and will also keep students informed appropriately by updating our programme specifications.

The full Procedures, Rules and Regulations of the University governing how it operates are set out in the Charter, Statutes and Ordinances and in the University Regulations, Policy and Procedures.

Related courses

Ask us a question
Ask us a question

Want to quiz us about your course? Got a question that just needs answering? Get in touch and we’ll do our best to email you back shortly.