2020 applicants
Undergraduate Course

Integrated Master in Literature: Literature and Creative Writing

Now In Clearing
Integrated Master in Literature: Literature and Creative Writing

Overview

The details
Literature and Creative Writing
Q393
October 2020
Full-time
4 years
Colchester Campus

Explore the urge to create and build new worlds, to share language and stories with others. On our course you will reflect on how literature shapes, and is shaped by the world, as well as honing the craft of writing through a multi-genre approach.

Drawing on key texts and ideas, you’ll develop critical thinking and creative problem-solving skills that will help you to make your own mark. To develop your own creative writing, we offer an unusual approach to the practice of writing, combing innovative and traditional methods in order to develop your writing skills and abilities to judge your work critically, while expanding your knowledge across different modes and genres.

On our four-year MLitSt Literature and Creative Writing, you will be part of an interdisciplinary department and well-established home to practising poets, dramatists, novelists and critics.

You have the flexibility to choose from a wide range of optional modules across different topics and areas of specialism, including;

  • Writing an independent creative project
  • Early Modern (16th and 17th century) literature
  • Exploring the psychological foundations of creativity in relation to myth
  • United States, Caribbean and Transatlantic literature
  • Writing for radio and playwriting
  • Poetic, contemporary and avant-garde and political writing

In your fourth year, as a post-graduate student, you will be able to choose from the following masters level modules in literature and creative writing;

  • Conducting research into Shakespeare
  • Development of a novel plan, from research and concept-development, to plotting, character and structure
  • Study of rare and antiquated books
  • Poetic practice across experimental writing in poetry from the performative to the visual

At Essex we believe in radical, challenging and interdisciplinary approaches to the study of literature and while we take note of conventions, we’re not bound by them. We have nurtured a long tradition of distinguished writers whose work has shaped literature as we know it today, from past giants such as the American poets Robert Lowell and Ted Berrigan, to contemporary writers such as mythographer and novelist Dame Marina Warner, and Booker Prize winner Ben Okri.

Our course offers a varied, flexible and distinctive curriculum, focused on developing your abilities as a writer, while allowing you to take options from the other courses within our Department of Literature, Film, and Theatre Studies including literature, filmmaking, journalism and drama.

Why we're great.
  • Our course offers a varied, flexible and distinctive curriculum, focused on developing your abilities as a writer
  • Join a diverse network of distinguished alumni, including Booker Prize and Pulitzer Prize winners
  • Achieve a masters level qualification with this four-year course variant
THE Awards 2018 - Winner University of the Year

Our expert staff

At Essex, we have an impressive literary legacy. Our history comprises staff (and students) who have been Nobel Prize winners, Booker Prize winners, and Pulitzer Prize winners.

Our Department are committed to unlocking creative personal responses to literature. This distinctive environment is possible because we are a community of award-winning novelists, poets and playwrights, as well as leading literature specialists.

Our academic staff specialise in a range of areas including modernism, comparative and world literature, Shakespeare, the Renaissance, travel writing, nature writing, translated literature, cultural geography, Irish and Scottish writing, U.S. and Caribbean literature, and the history of reading.

Specialist facilities

  • Access the University’s Media Centre, equipped with state-of-the-art studios, cameras, audio and lighting equipment, and an industry-standard editing suite
  • Write for our student magazine Rebel or host a radio show
  • Meet fellow readers at the student-run Literature Society or at the department’s Myth Reading Group
  • View classic films at weekly film screenings in our dedicated 120-seat film theatre
  • Hear writers talk about their craft and learn from leading literature specialists at regular talks and readings
  • Improve your playwriting skills at our Lakeside Theatre Writers workshops
  • Our Research Laboratory allows you to collaborate with professionals, improvising and experimenting with new work which is being tried and tested

Your future

A good literature degree opens many doors and our students have gone on to work in a number of careers such as writers, and others are now established as scholars, university lecturers, teachers, publishers, publishers’ editors, journalists, arts administrators, theatre artistic directors, drama advisers, and translators.

Our recent graduates have gone on to work in a wide range of desirable roles including:

  • Theatre
  • Journalism and broadcasting
  • The Civil Service
  • Marketing
  • Museum and library work
  • Commerce and finance
  • Teaching

And many of our students have gone on to successfully publish their work, notable recent alumni including:

  • Ida Løkås, who won a literary prize in Norway for The Beauty That Flows Past, securing a book deal
  • Alexia Casale, whose novel Bone Dragon was published by Faber & Faber and subsequently featured on both the Young Adult Books of the Year 2013 list for The Financial Times, and The Independent’s Books of the year 2013: Children
  • Elaine Ewart, recent graduate from our MA Wild Writing, placed second in the New Welsh Writing Awards 2015
  • Patricia Borlenghi, the founder of Patrician Press, which has published works by a number of our alumni
  • Simon Everett, owners and editor of Muscaliet Press
  • Petra Mcqueen, who has written for The Guardian and runs creative writing courses

We also work with the university's Student Development Team to help you find out about further work experience, internships, placements, and voluntary opportunities.

Entry requirements

Clearing entry requirements

Specific entry requirements for this course in Clearing are not published here but for most of our degree courses you will need to hold a Level 3 qualification. If you are interested in applying and have already received your results, use our Clearing application form to apply for 2020 entry and find out if you are eligible. You will be asked to provide details of your qualifications and grades.

Structure

Example structure

We offer a flexible course structure with a mixture of compulsory and optional modules chosen from lists. Below is just one example structure from the current academic year of a combination of modules you could take. Your course structure could differ based on the modules you choose.

Our research-led teaching is continually evolving to address the latest challenges and breakthroughs in the field, therefore all modules listed are subject to change. To view the compulsory modules and full list of optional modules currently on offer, please view the programme specification via the link below.

Origins and Transformations in Literature and Drama

Which writers re-worked Homer’s Odyssey? Or borrowed ideas from Dante’s Inferno? Examine how key literary texts and genres have been used by successive generations of writers up until the present day. Shift from classical text to a more modern example, studying the long cultural traditions that exist.

View Origins and Transformations in Literature and Drama on our Module Directory

Text Up Close: Reading for Criticism

How do you read a text closely? What is involved in close reading? With emphasis on you to active do the close reading, learn how this approach can contribute to your appreciation of meaning and significance in a diverse range of texts.

View Text Up Close: Reading for Criticism on our Module Directory

Writing for the Radio (optional)

What possibilities does radio offer a writer? What techniques are required? How can the main tools of dramatic construction be exploited for radio? Focusing on drama, study work currently being broadcast plus classic pieces. Make use of the University’s studio to record extracts of your own radio scripts.

View Writing for the Radio (optional) on our Module Directory

The Writer's Toolkit

How do you get started as a writer? How do you practise your writing? And how can you make improvements? Using exercises and texts, focus on your basic skills and essay writing. Cover topics like characterisation, dialogue, point of view, plotting, suspense, and metaphor and imagery.

View The Writer's Toolkit on our Module Directory

Writing Structures

What are the key theories for creative writing? And how do writers (such as Wordsworth or Pound) theorise their own work and that of others? Study a range of genres, from poetry and fiction to autobiography, with practical writing exercises. Explore “making the familiar unfamiliar” (defamiliarisation), and focus on narrative.

View Writing Structures on our Module Directory

Creative Non-Fiction (optional)

What is creative non-fiction? How does it engage and experiment with the world around us? Explore the boundaries between fiction and non-fiction, from Defoe’s Journal of the Plague Year to today’s “misery memoir”. Understand the creative aspect of others kinds of writing, widening your own scope and sense of possibility.

View Creative Non-Fiction (optional) on our Module Directory

Dystopias (optional)

A utopia is an imagined social order in which human flourishing has either been perfected or realised to an exceptionally high degree. A dystopia, by contrast, is a radically dysfunctional society in which the lives of the inhabitants are significantly impaired, damaged, or otherwise undesirable. In this module, we will study nine landmarks from the history of dystopian fiction, beginning in the early twentieth century and ending in the early twenty-first. Topics and issues addressed on the module include, but are not limited to, authoritarianism, surveillance, censorship, consumerism, the culture industry, feminism, Afrofuturism, genetic engineering, cloning, artificial intelligence, and global warming.

View Dystopias (optional) on our Module Directory

Shakespeare: The Tragedies (optional)

To what degree are Hamlet, King Lear, Macbeth and Othello tragedies? How useful is this term in understanding them? Undertake a close reading of Shakespeare’s four great tragedies. Critically discuss recent issues about each, in groups and in your own work. Gain an understanding of their enduring and/or present significance.

View Shakespeare: The Tragedies (optional) on our Module Directory

Cyborgs, Clones and the Rise of the Robots: Science Fiction (optional)
American Film Authors (optional)

How powerful is Hollywood? How do directors construct an image of the USA? Examine how directors have created America in the popular imagination. Study Hollywood auteurs (such as Chaplin, Hawks, Hitchcock, Welles and Ford) alongside others (such as Scorsese, Allen and Lee) while covering the breadth of US film history.

View American Film Authors (optional) on our Module Directory

Dreaming and Writing (optional)

Great literature – the stuff that dreams are made of? This workshop-based module investigates experimental film, art, literature, and poetry. Drawing inspiration from your own dreams, as well as dream theories and literary dream works, you are encouraged to experiment with character and voice, developing your own distinct identity as a writer.

View Dreaming and Writing (optional) on our Module Directory

Possible Worlds: Science Fiction, Speculative Fiction, and Alternate Histories (optional)
Post-War(s) United States Fiction (optional)

How has the American identity and purpose changed since World War Two? And how is this reflected in literature? Gain answers to these questions via a range of American texts. Analyse these works using a variety of critical approaches, considering social, political and cultural contexts since the Second World War.

View Post-War(s) United States Fiction (optional) on our Module Directory

Research Methods in Literary and Cultural Analysis

Are you ready for your dissertation? Examine a variety of research methods and methodologies, building the research skills and understanding needed to complete your postgraduate-level research project.

View Research Methods in Literary and Cultural Analysis on our Module Directory

War, Violence and Conflict in the American Tropics (optional)

How does the literature of the American Tropics differ from the literary traditions of the US, Caribbean, or Latin America? How has it been shaped by the fighting between indigenous populations and its European and African settlers? Drawing on an unfolding research project by academics at Essex, this module takes a radically different approach to the study of literary history in the Americas by focusing on ‘place’ rather than language or the concept of ‘nation state’.

View War, Violence and Conflict in the American Tropics (optional) on our Module Directory

The Modern City: From Modernism to Postmodernism (optional)

Explore the cultural and political capitals of the twentieth and twenty-first century: New York, Paris, Berlin, Vienna, Moscow and London. By considering these urban spaces, you actively explore the categories of modernism and postmodernism, as well as a range of theories of the modern/postmodern city. Emphasis is placed on taking an interdisciplinary approach – discussion of literary works (including plays) will be complemented by viewing/listening to performances, films, and readings. You also consider paintings and photographs, city maps, and even urban planning decisions.

View The Modern City: From Modernism to Postmodernism (optional) on our Module Directory

Shakespeare and the Modern (optional)

What are the challenges when researching Shakespeare? What about other early-modern literature? Explore major critical approaches linked to key Shakespeare texts. Gain in-depth knowledge of works, their contexts and critical achievements. Build your own research skills, with training in archival research alongside mastering of a range of resources.

View Shakespeare and the Modern (optional) on our Module Directory

Fees and funding

Home/EU fee

£9,250

International fee

£16,050

Fees will increase for each academic year of study.

Home and EU fee information

International fee information

What's next

Open Days

Our events are a great way to find out more about studying at Essex. We run a number of Open Days throughout the year which enable you to discover what our campus has to offer. You have the chance to:

  • tour our campus and accommodation
  • find out answers to your questions about our courses, student finance, graduate employability, student support and more
  • meet our students and staff

Check out our Visit Us pages to find out more information about booking onto one of our events. And if the dates aren’t suitable for you, feel free to book a campus tour here.

How to apply during Clearing

Once you’ve checked that we have the right course for you, applying couldn’t be simpler. Fill in our quick and easy Clearing application form with as much detail as you can. We’ll then take a look and get back to you with a decision. There’s no need to call us to apply; just do it all online.

Find out more about Clearing

Interviews

We don’t interview all applicants during Clearing, however, we will only make offers for the following course after a successful interview:

  • BA Multimedia Journalism
  • BSc Nursing (Adult)
  • BSc Nursing (Mental Health)
  • BA Social Work

The interview allows our academics to find out more about you, and in turn you’ll be able to ask us any questions you might have. Further details will be emailed to you if you are shortlisted for interview.


Apply now
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Home to 15,000 students from more than 130 countries, our Colchester Campus is the largest of our three sites, making us one of the most internationally diverse campuses on the planet - we like to think of ourselves as the world in one place.

The Campus is set within 200 acres of beautiful parkland, located two miles from the historic town centre of Colchester – England's oldest recorded town. Our Colchester Campus is also easily reached from London and Stansted Airport in under one hour.

 

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The University makes every effort to ensure that this information on its programme specification is accurate and up-to-date. Exceptionally it can be necessary to make changes, for example to courses, facilities or fees. Examples of such reasons might include, but are not limited to: strikes, other industrial action, staff illness, severe weather, fire, civil commotion, riot, invasion, terrorist attack or threat of terrorist attack (whether declared or not), natural disaster, restrictions imposed by government or public authorities, epidemic or pandemic disease, failure of public utilities or transport systems or the withdrawal/reduction of funding. Changes to courses may for example consist of variations to the content and method of delivery of programmes, courses and other services, to discontinue programmes, courses and other services and to merge or combine programmes or courses. The University will endeavour to keep such changes to a minimum, and will also keep students informed appropriately by updating our programme specifications.

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