People

Professor Jeffrey Geiger

Professor
Department of Literature Film and Theatre Studies (LiFTS)
Professor Jeffrey Geiger
  • Email

  • Telephone

    +44 (0) 1206 872623

  • Location

    5NW.5.11, Colchester Campus

  • Academic support hours

    on leave spring term 2018

Profile

Biography

My background ranges from research into film and literature to filmmaking, with a focus on editing. After completing an MA and PhD at UCLA, I came to Essex where I was the University's first director of Film Studies and established the Centre for Film and Screen Media. Leadership roles have included Director of the Centre for Film and Screen Media, which included organizing a series of talks and public screenings. I also have served as Director of the American Studies Centre, and Graduate Director. Research focuses on documentary, postcolonial cinemas, comparative media, queer cinema, island studies, and Oceania and the Pacific. Books include American Documentary Film: Projecting the Nation (2011); Facing the Pacific: Polynesia and the U.S. Imperial Imagination (2007); Film Analysis: A Norton Reader (with R. L. Rutsky, 2nd ed 2013); and Cinematicity in Media History (2013, with Karin Littau). The latter developed from a special issue of Comparative Critical Studies, 'Cinematicity', based on an international conference hosted at Essex. Articles have appeared in journals such as PMLA, Studies in Documentary Film, Third Text, African American Review, ZAA, Cinema Journal, New Formations, and Film International, with further contributions to book collections, encyclopedias, and periodicals such as The Times Literary Supplement and The Guardian. Recent publications include chapters on New Nigerian cinema in The Routledge Companion to World Cinema (Remapping World Cinemas), colour film and Pacific tourism in Discourses of Imperialism in the Pacific (Routledge), and 'Visualizing Exploration' in A Cultural History of Exploration (Bloomsbury). British Academy / Leverhulme Trust Senior Research Fellowship, 2021-22 Visiting Professor, UCLA, 2024 Member of professional organizations: NECS, BAAS, SCMS, and BAFTSS Fellow of the Royal Anthropological Institute Ph.D. supervision areas include: film and media (including practice as research, PaR); documentary; US cinema (especially studies of ethnicity and/or gender); transmedia; colour film; Oceania and visual cultures.

Qualifications

  • BA Cornell University,

  • MA University of California, Los Angeles,

  • PhD University of California Los Angeles,

Appointments

University of Essex

  • Director of the Centre for Film and Screen Media, Literature, Film, and Theatre Studies, University of Essex (1/1/2013 - 30/9/2020)

  • Director of Graduate Studies, Department of Literature, Film, and Theatre Studies, University of Essex (1/1/2010 - 1/1/2013)

  • Director of the American Studies Centre, University of Essex (1/1/2004 - 1/1/2008)

  • Director of the Centre for Film Studies, University of Essex (1/1/2001 - 30/8/2003)

Other academic

  • External Examiner, MA Film Studies, University of Malta (30/8/2018 - present)

  • External Examiner, Film Studies, University of Surrey (30/8/2015 - 30/8/2018)

  • External Examiner, Film, Media, and Cultural Studies, Birkbeck, University of London (30/8/2011 - 30/8/2016)

  • Visiting Professor, Film, Television, and Digital Media, University of California, Los Angeles (1/1/2024 - 1/4/2024)

  • Visiting Professor, Film, Television, and Digital Media, University of California, Los Angeles (1/1/2024 - 30/4/2024)

Research and professional activities

Research interests

documentary

Open to supervise

media practice and theory (creative practice / PaR)

Open to supervise

amateur cinema

Open to supervise

gender and ethnicity in US literature, film, television

Open to supervise

island representations

Open to supervise

Oceania and the Pacific in film and photography

Open to supervise

postcolonial cinemas

Open to supervise

Current research

aerial cinematics and 'world picture'

colour and the travelogue

Conferences and presentations

Travel as Displacement: Adelaide Pearson and Amateur Colour Expression

Invited presentation, BAAFTS Colour Special Interest Group, Colour Special Interest Group, 9/3/2023

Colour Travelogues and Amateur Archives

Invited presentation, public talk, Imsida, Malta, 30/9/2022

Colour and the Amateur Film Archive

Invited presentation, public talk, Manchester, United Kingdom, 1/8/2022

Marketing Empire: Color and the Pacific Travelogue

Keynote presentation, New Zealand Studies Association, Marseille, France, 1/7/2022

Color Consciousness': Kodachrome Travelogues

Visible Evidence 27 (VE27), Frankfurt am Main, Germany, 1/12/2021

Color in Conflict: Kodachrome and War in the Pacific

Invited presentation, Pacific History Association, Pacific History Association, Suva, Fiji, 1/11/2021

Kodachrome Travels: Affective Mobilities of Color Realism

NECS, European Network for Cinema and Media Studies, Palermo, Italy, 1/6/2021

A Conversation with Laura Mulvey

Open Research Seminars Series, Colchester, United Kingdom, 1/5/2021

Gender and Ethnicity in US Documentary: New Queer Cinema

Invited presentation, Basel, Switzerland, 1/5/2021

Direct Cinema and its Legacies

Invited presentation, American Studies, Stuttgart, Germany, 16/5/2019

Adrenaline Views: Cinema, Aviation and the Aerial Subject

Invited presentation, Public Lecture, Imsida, Malta, 3/5/2019

New Queer Documentary and the Sensory Turn

Invited presentation, Research Seminar, Centre for Critical and Creative Cultures, Dundee, United Kingdom, 31/1/2019

Photography, the Moving Image, and Questions of Cosmopolitanism in the Pacific

Invited presentation, Pacific History Association Conference, Pacific History Association, Cambridge, United Kingdom, 5/12/2018

Intimate Media: Engaging Inequality, the Body, and Gesture in Queer Documentary

Keynote presentation, Visual Culture and Inequality, 20/7/2017

Convolutions of Colour Media

Invited presentation, Research Masterclass, Film Studies, Imsida, Malta, 4/5/2017

Interrogating Comparative Media Historiographies

Invited presentation, Society for Cinema and Media Studies Conference, Chicago, United States, 24/3/2017

Kodachrome Travels: How colour changed the ways we see the world

Invited presentation, Essex Book Festival, Essex Book Festival, Colchester, United Kingdom, 7/3/2016

'Race’ at the Margins of Representation

Invited presentation, Science and Technology Film Festival, Olomouc, Czechia, 15/4/2015

Teaching and supervision

Current teaching responsibilities

  • Approaches to Film and Media (LT121)

  • American Film Authors (LT347)

  • Independent Film Project (LT833)

  • Independent Project in Film Studies (LT834)

  • Documentary and the Avant-garde: Film, Video, Digital (LT930)

  • Independent Screenplay Project (LT410)

Previous supervision

Brigitte Nicole Grice
Brigitte Nicole Grice
Thesis title: International Surrealism and the Contemporary Epoch: A Surrealist Document with Questions, Principles and Memory Maps
Degree subject: Film Studies (Creative Practice)
Degree type: Doctor of Philosophy
Awarded date: 1/6/2023
Jack Rutherford
Jack Rutherford
Thesis title: Indigenous Presence in the US Imagination: A Study of Native American Representation in Cinema From the Myth of the West to Standing Rock
Degree subject: Film Studies
Degree type: Doctor of Philosophy
Awarded date: 1/6/2022
Sarah Casey Benyahia
Sarah Casey Benyahia
Thesis title: Lives in Limbo: Memory, History, and Entrapment in the Temporal Gateway Film.
Degree subject: Film Studies
Degree type: Doctor of Philosophy
Awarded date: 15/4/2019
Barney Oliver Humm Samson
Barney Oliver Humm Samson
Thesis title: Islands in the (Main)Stream: The Desert Island in Anglophone Post-War Popular Culture
Degree subject: Literature
Degree type: Doctor of Philosophy
Awarded date: 10/11/2017
Iman Hami
Iman Hami
Thesis title: Alice Walker's Womanist Fiction: Tensions and Reconciliations
Degree subject: Literature
Degree type: Doctor of Philosophy
Awarded date: 18/5/2016
Jeeshan Gazi
Jeeshan Gazi
Thesis title: Film as Another World: Deleuze, Pynchon, and the Metaphysics of Film
Degree subject: Film Studies
Degree type: Doctor of Philosophy
Awarded date: 18/5/2015
Wen-Chun Kuan
Wen-Chun Kuan
Thesis title: Island in Motion: Transnational Articulations in New Taiwanese Cinema and its Film Culture
Degree subject: Film Studies
Degree type: Doctor of Philosophy
Awarded date: 27/8/2014

Publications

Journal articles (13)

Geiger, J., (2020). Intimate Media: New Queer Documentary and the Sensory Turn. Studies in Documentary Film. 14 (3), 177-201

Geiger, J., (2020). 'Exquisite Wonder': Colour Film, Realism, and the Yankee Voyage, 1936-38. Journal of New Zealand and Pacific Studies. 8 (1), 57-79

Geiger, J., (2020). Meredith McCarroll, Unwhite: Appalachia, Race, and Film (Athens: University of Georgia Press, 2018). American Literary History (XXIII), 1-4

Geiger, J., (2012). Nollywood Style: Nigerian movies and 'shifting perceptions of worth'. Film International. 10 (6), 58-72

Geiger, J., (2011). Documentary: Negotiating the Public Sphere. New Formations: A Journal of Culture, Theory, Politics. 74 (Winter), 144-149

Geiger, J. and Littau, K., (2009). Guest Editors' Introduction to Comparative Critical Studies (special issue: Cinematicity). Comparative Critical Studies. 6 (3), 287-295

Geiger, J., (2008). Taking Aim: New Documentary and War. Zeitschrift fur Anglistik und Amerikanistik (ZAA). 56 (2), 153-173

Geiger, J., (2004). Special Relationships: British Higher Education and the Global Marketplace. PMLA: Publications of the Modern Language Association. 119 (1), 58-68

Geiger, J., (2004). Imagined Islands: White Shadows in the South Seas and Cultural Ambivalence. Cinema Journal. 41 (3), 98-121

Geiger, J., (2001). Re-assessing the Past and Future of Feminist Film Theory. Sexualities. 4 (2), 246-251

Geiger, JA., (1999). America on film: Hollywood and American history. JOURNAL OF AMERICAN STUDIES. 33, 166-167

Geiger, J., (1999). Unmaking the Male Body: The Politics of Masculinity in The Long Dream. African American Review. 33 (2), 197-207

Geiger, J., (1998). 'The Camera and Man': Colonialism, Masculinity, and Documentary Fiction. Third Text. 12 (44), 3-21

Books (5)

Littau, K. and Geiger, J., (2013). Cinematicity in media history. Edinburgh University Press. 9780748676125

Geiger, J. and Rutsky, RL., (2013). Film Analysis: A Norton Reader (Second edition). W W Norton. 9780393923247

Geiger, J., (2011). American Documentary Film: Projecting the Nation. Edinburgh University Press/Oxford University Press. 9780748621477

Geiger, J. and Littau, K., (2009). Cinematicity (Special Issue of Comparative Critical Studies). Edinburgh University Press. 001750-0109

Geiger, J., (2007). Facing the Pacific: Polynesia and the U.S. imperial imagination. University of Hawaii Press. 9780824830663

Book chapters (12)

Geiger, J., (2024). Visualizing Exploration. In: A Cultural History of Exploration - In the Modern Age. Editors: Thomas, M., . Bloomsbury. 155- 180. 978-1-3501-0100-5

Geiger, J., (2022). Desegregating the Screen: Oscar Micheaux and the Rise of Activist Cinema. In: D. W. Griffith's The Birth of a Nation Art, culture and ethics in black and white. Editors: Barrett, J., Field, D. and Scott, I., . Manchester University Press. 978-1-5261-6445-2

Geiger, J., (2020). Cinematic Gestures: Flows and Disruptions on the Yankee Voyage, 1936-38. In: Shifting Grounds: Cultural Tectonics along the Pacific Rim. Editors: Ernst, J. and Glase, B., . Winter Verlag

Geiger, J., (2017). Media Refashioning: From Nollywood to New Nollywood. In: The Routledge Companion to World Cinema. Editors: Stone, R., Cooke, P., Dennison, S. and Marlow-Mann, A., . Routledge. 59- 72. 9781138918801

Geiger, J., (2015). United States Expansionism and the Pacific. In: The Palgrave Encyclopedia of Imperialism and Anti-Imperialism. Editors: Ness, I. and Cope, Z., . Palgrave Macmillan. 446- 454. 978-1-349-57690-6

Geiger, J., (2015). Documentary, Memory and the Iraq Syndrome. In: Representations of War, Migration, and Refugeehood: Interdisciplinary Perspectives. Editors: Rellstab, DH. and Schlote, C., . Routledge. 47- 63. 9780367868635

Geiger, J. and Littau, K., (2013). Introduction: Cinematicity and comparative media. In: Cinematicity in Media History. Editors: Geiger, J. and Littau, K., . Edinburgh University Press. 1- 18. 9780748676149

Geiger, J., (2013). Making America Global: Cinematicity and the Aerial View. In: Cinematicity in Media History. Editors: Geiger, J. and Littau, K., . Edinburgh University Press. 133- 156. 9780748676118

Geiger, J., (2013). Nanook of the North (1922): Fiction, Truth, and the Documentary Contract.. In: Film Analysis: A Norton Reader (Second edition). Editors: Geiger, J. and Rutsky, RL., . W W Norton. 94- 114. 9780393923247

Geiger, J., (2011). Subaltern Looks and the Imperial Gaze: Charles Warren Stoddard's South Sea Idyls. In: Indiscretions. At the Intersection of Queer and Postcolonial Theory.. Editors: Aydemir, M., . Rodopi. 33- 51. 9789042031876

Geiger, J., (2005). 'The game behind the game'?: Spatial Politics and Spike Lee's He Got Game. In: Race and Ethnicity in New York City. Editors: Krase, J. and Hutchison, R., . Emerald. 83- 105. 9780762311491

Geiger, J., (2000). Sightseeing: 'Voyage au Congo' and Ethnographic Spectacle. In: Andre Gide?s Politics: Rebellion and Ambivalence. Editors: Conner, T., . Palgrave. 111- 130. 9780333915370

Thesis dissertation (1)

Geiger, JA., America's White Shadows: Modernist Ethnography and the South Pacific

Other (1)

Geiger, J., (2021).AUKUS: Recalling Legacies of Anglo-Saxonism and Muffling the Voices of Island Nations. E-International Relations(September 25 2021),E-International Relations

Grants and funding

2020

Kodachrome Travels: Colour Film, Realism, and the �American Pacific� Imagination

British Academy

Contact

j.geiger@essex.ac.uk
+44 (0) 1206 872623

Location:

5NW.5.11, Colchester Campus

Academic support hours:

on leave spring term 2018

More about me