Event

SPAH Seminar Series: Dr Natalia Majluf, University of Cambridge

Undoing categories, rethinking collections at the Museo de Arte de Lima

  • Thu 31 Jan 19

    16:00 - 17:30

  • Colchester Campus

    Ivor Crewe Seminar Room

  • Event speaker

    Dr Natalia Majluf, University of Cambridge

  • Event type

    Lectures, talks and seminars

  • Event organiser

    Philosophy and Art History, School of

  • Contact details

The Philosophy and Art History Research Seminar meets weekly in term on Thursday afternoons to discuss a paper by a visiting philosopher, art historian, or a member of our academic staff.

This week's speaker is Dr Natalia Majluf, Museo de Arte de Lima.

Natalia Majluf, currently Simón Bolívar Chair at the University of Cambridge, 2018-2019, is an art historian who works on the long nineteenth century in Latin America, from the era of Independence to the early twentieth century. As Head Curator and Director of the Museo de Arte de Lima, between 1995 and 2018 she oversaw the renovation of the historic building that houses the museum and was responsible for enriching and broadening the scope of the collections. She has held fellowships from the Getty Foundation, the John Simon Guggenheim Memorial Foundation and the Center for Advanced Study in the Visual Arts in Washington, D.C. She is editor, among others, of Los incas, reyes del Perú (2005), Luis Montero’s The funerals of Atahualpa (2011), José Gil de Castro, pintor de libertadores (2014) and has co-authored Tipos del Perú. La Lima criolla de Pancho Fierro (2008), Fernando Bryce. Drawing Modern History (2011), Sabogal (2013) and Chambi (2015), among other books and exhibition catalogues.

Abstract 

This presentation attempts to account for the work carried out by a group of curators and experts at the Museo de Arte de Lima over the past two decades. It explores the challenges of incorporating historical and contemporary objects within a panoramic survey collection that spans cultural production in the Andean region from the pre-Columbian period to the present. This effort has contronted the museum with notions of art, time and place that establish oppositions between crucial categories of museological classification: high and popular culture, art and craft, history and ethnography, tradition and modernity, the local and the global. These issues are discussed through examples of specific collecting and research projects related to forms of cultural production traditionally excluded from the museum’s narratives. 

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