2020 applicants
Undergraduate Course

BA Art History, Visual Culture and Media Studies

(including Foundation Year)

Now In Clearing
BA Art History, Visual Culture and Media Studies

Overview

The details
Art History, Visual Culture and Media Studies (including Foundation Year)
W353
October 2020
Full-time
4 years
Colchester Campus
Essex Pathways

On our four-year BA Art History, Visual Culture and Media Studies (including foundation year), we work with you to develop your subject-specific knowledge, and to improve your academic skills. You receive a thorough grounding in these areas during your foundation year (known as Year Zero) to prepare you for a further three years of undergraduate study at Essex.

After successful completion of Year Zero in our Essex Pathways Department, you progress to complete your course with our School of Philosophy and Art History.

At Essex, you will explore a broad spectrum of art, visual culture and media, both past and present. You’ll learn about canonical forms of art and architecture and cover a range of visual culture, such as video art, medical photography, tattoos and objects from political protests. You’ll also study the various forms of contemporary media that shape our everyday lives, including film and television, photography, social media and advertising.

To study on our course, you don’t need an A-Level in art or art history. In fact, we believe that the best students of visual culture are those who bring fresh eyes and new perspectives to their objects of inquiry.

What’s more, you’ll have the opportunity to cover a range of disciplines through your modules during which you will combine different approaches to the study of visual media, hone your critical thinking and develop a deeper understanding of the histories and meaning of the visual world around you. You will develop the skills you need to transform your passion for art, visual culture, and media into the ability to uncover new insights about the material you study.

Throughout the course you’ll cover key areas including but not limited to:

  • World cinema
  • Digital media
  • Contemporary art
  • Politics

One of the major reasons for choosing Essex is the quality of the education you will receive. We are ranked 6th among art history departments in the UK for research excellence (REF 2014, mainstream universities, THE 2014).

Please note this course is subject to approval.

THE Awards 2018 - Winner University of the Year

Our expert staff

We are a dynamic group of art historians who investigate the production and reception of images and built environment, across cultures and media, from the early modern period to the present day.

Specialist facilities

Our outstanding facilities give you the opportunity for object-based learning, which is rare in other universities, and also enable you to gain curatorial experience:

  • Our Essex Collection of Art from Latin America (ESCALA) is the most comprehensive Latin American art research resource in the UK and has a state-of-the-art teaching and research space. Many of our students gain work and research experience through our collection.
  • Our onsite gallery Art Exchange runs an ongoing programme of contemporary art exhibitions, talks by curators and artists, and exhibitions organised by our curatorial students
  • Enjoy regular visits to London galleries, including Tate Modern, Tate Britain, the National Gallery and the Royal Academy of Arts, as well as many independent and alternative spaces
  • Colchester’s iconic Firstsite gallery runs an exciting programme of art exhibitions, film screenings and talks

Your future

The visual arts and culture industries have become an increasingly significant part of the national and international economy, and our graduates leave Essex with the skills to take advantage of this growing opportunity.

Some of the sectors with jobs well suited for our graduates include: museums and galleries, auction houses, education (e.g. in schools, universities and cultural institutions), marketing and advertising, and new media.

We also work with the university's Student Development Team to help you find out about further work experience, internships, placements, and voluntary opportunities.

Entry requirements

Clearing entry requirements

Specific entry requirements for this course in Clearing are not published here but for most of our degree courses you will need to hold a Level 3 qualification. If you are interested in applying and have already received your results, use our Clearing application form to apply for 2020 entry and find out if you are eligible. You will be asked to provide details of your qualifications and grades.

English language requirements

English language requirements for applicants whose first language is not English: IELTS 5.5 overall. Specified component grades are also required for applicants who require a Tier 4 visa to study in the UK.

Other English language qualifications may be acceptable so please contact us for further details. If we accept the English component of an international qualification then it will be included in the information given about the academic levels required. Please note that date restrictions may apply to some English language qualifications

If you are an international student requiring a Tier 4 visa to study in the UK please see our immigration webpages for the latest Home Office guidance on English language qualifications.

If you do not meet our IELTS requirements then you may be able to complete a pre-sessional English pathway that enables you to start your course without retaking IELTS.

Additional Notes

Our Year 0 courses are only open to UK and EU applicants. If you’re an international student, but do not meet the English language or academic requirements for direct admission to your chosen degree, you could prepare and gain entry through a pathway course. Find out more about opportunities available to you at the University of Essex International College.

Structure

Example structure

We offer a flexible course structure with a mixture of compulsory and optional modules chosen from lists. Below is just one example structure from the current academic year of a combination of modules you could take. Your course structure could differ based on the modules you choose.

Our research-led teaching is continually evolving to address the latest challenges and breakthroughs in the field, therefore all modules listed are subject to change. To view the compulsory modules and full list of optional modules currently on offer, please view the programme specification via the link below.

Major Writers in English Literature

Want to study Hamlet? And contemporary works by Angela Carter or Kazuo Ishiguru? Interested in World War One poetry? Study a range of drama, poetry and prose fiction. Describe, analyse and reflect on key texts from Shakespeare to the present day. Become familiar with the crucial terms for assessing literature.

View Major Writers in English Literature on our Module Directory

1939–2019: Eighty Years in the Life of the United Kingdom

Britain has experienced unprecedented changes in the last 100 years. What has brought about these changes and how have they affected the Britain of today? This course will outline political, economic, social and cultural change in the UK during the Twentieth Century and beyond and offer an insight into Britain’s place in the modern world.

View 1939–2019: Eighty Years in the Life of the United Kingdom on our Module Directory

Philosophy: Fundamental Questions, Major Thinkers

What can we know? How should we live? Study two important areas of philosophy – epistemology and ethics. Examine the work of key thinkers and understand the major themes in Western philosophy. Analyse contemporary issues using philosophical arguments. Become confident in the expression of your own thoughts and ideas.

View Philosophy: Fundamental Questions, Major Thinkers on our Module Directory

Art and Ideas: I

This module tackles some of the biggest questions surrounding the history of art. You will explore some key issues of philosophical aesthetics, such as the nature of representation, by engaging critically with seminal texts, artworks, and architecture. Through debates and essays, you will develop your analytical and interpretive skills, and leave with a solid foundation for the study of the history of art.

View Art and Ideas: I on our Module Directory

Art Revolutions (optional)

Realism and Impressionism. Meet the rule-breakers. What is it that motivates an artist to break the mould? Focussing on Realism and Impressionism in France, this module identifies not only how the political, social and economic changes during the nineteenth century affected art and creative thinking, but how this vibrant and multi-faceted group of artists, who refused to follow the crowd, influenced their world. Through analysis of primary and secondary sources, you’ll explore their historical reputation, as well as their relevance today.

View Art Revolutions (optional) on our Module Directory

Approaches to Film and Media

How do we analyse moving images? What innovations have transformed the cinema experience? What moments and movements have been key to film history? Study the development of international cinema, looking at all aspects of the form, including analysis of theoretical issues, film language, and a variety of important directors and genres.

View Approaches to Film and Media on our Module Directory

Media, Culture and Society

Does the media make people violent? Objectify women? Tell you what to do? Study the modern media as a social terrain, order of communication and domain of ideas, using examples from cinema, photography, newspapers and TV. Examine popular debates and consider practical methodologies for undertaking media research in the future.

View Media, Culture and Society on our Module Directory

Art, Sex and Death (optional)

FROM THE SUN KING TO THE FIRST EMPIRE: Scandal. Executions. Diamonds. Lust. Sex and death were constant themes of the art in France from the middle of the seventeenth century to the first quarter of the nineteenth. We will look at the opulence and decadence of the court of Louis XIV at Versailles, move towards the violent post-revolutionary world of the Terror, and end with the ambitious First Empire of Napoleon.

View Art, Sex and Death (optional) on our Module Directory

Popular Film, Literature and Television: A Psychoanalytic Approach (Freud and Jung) (optional)

How can we use psychoanalytic theory to understand film, literature and television? What is culture and can it contribute to our understanding of psychoanalysis itself? Examine work by Freud and Jung, as well as more contemporary perspectives, through the lens popular culture.

View Popular Film, Literature and Television: A Psychoanalytic Approach (Freud and Jung) (optional) on our Module Directory

Digital Society

Does technology determine history? Can games teach us about power? Does software shape society? Develop a critical understanding of the role played by human-machine relationships in contemporary cultural change. Evaluate recent developments in media technologies from a sociological perspective. Develop your own blog as part of your final assessment.

View Digital Society on our Module Directory

Art in Latin America (optional)

Come face-to-face with over 750 original artworks from 19 countries in the Essex Collection of Art from Latin America (ESCALA). This major, unique, and internationally recognised collection, with works dating from the 1960s to today, is yours to make the most of. Investigate the themes of landscape, revolution, human rights, and the environment, which permeate many of the works and reflect the historical and contemporary challenges faced by the region, and debate the role Latin American art has in the wider art world.

View Art in Latin America (optional) on our Module Directory

Art and Ideas II: More Art, More Ideas - Critique and Historiography in the History of Art

New, exciting, and unconventional practices call for new, exciting and unconventional theories. This module will look at how art history has developed in the twentieth century, expanding the discipline to include visual culture, cultural studies of mass culture, performance, material culture, design history and digital culture. These new ways of seeing are often driven by a critical impetus, and allow us to look in new ways at social and political issues of activism and social change, sex, technology, memes, police violence, migration, austerity and crisis, state surveillance, and our relation to animals and the environment.

View Art and Ideas II: More Art, More Ideas - Critique and Historiography in the History of Art on our Module Directory

The Internet and Politics (optional)

How does the internet influence democratic politics? Does it facilitate collective action and even undermine authoritarian regimes? Which means and strategies do governments use to control and regulate the internet and its use by citizens? This class introduces academic debates about these and other questions. It discusses the internet's role in democratic politics, the online information environment, political engagement, democratization, government efforts to control internet use, and data protection.

View The Internet and Politics (optional) on our Module Directory

Creative Media (optional)

Get yourself out there. Digital and social media provide invaluable platforms for showcasing your creative work, creating new and innovative content, and connecting with future employers, agents, and collaborators. In this module, you investigate the potential of both existing and emerging social and multi-media channels, getting hands-on in practical sessions, and gaining key knowledge of the legal aspects of web-based media.

View Creative Media (optional) on our Module Directory

Narrative and Film (optional)

How do films tell their story? What narrative conventions do genre films utilise? How do filmmakers adapt original literature to create new stories? Explore meanings in different film narrative using classic, modernist and postmodern examples. Understand narrative conventions in genre films. Study screen adaptation, the cinematic remake and transmedia storytelling.

View Narrative and Film (optional) on our Module Directory

Photography in History

From mementos on the walls of our homes to perfume ads in glossy magazines to selfies on your mobile – photographs are everywhere. In this module, explore how the birth of the camera changed the way people saw themselves and their world, and how it continues to do so. Learn about the history of photography, interpreting and analysing both photographs and texts, and see how the photograph’s status shifted over time from document to artwork.

View Photography in History on our Module Directory

Final Year Dissertation Project

In this module you will produce a 4,000-word dissertation. The finished dissertation should show an all-round grasp of your subject and the ability to present your material clearly, succinctly and in the most appropriate sequence. It should also demonstrate evidence of a serious engagement with your topic, a mastery of the information currently available, and the inclusion of your own reasoned, critical judgements. A supervisor will help guide you as you begin to develop a research question, start researching the topic and write the dissertation. This is a capstone module, available to final-year art history students.

View Final Year Dissertation Project on our Module Directory

Mass Media and Modern Life

What impact has the printed press had on our social and cultural life? What about radio, cinema, TV and recorded music? And how important is all this in the light of new technological advancements? Examine the development of our mass media culture, from the nineteenth century to the present day.

View Mass Media and Modern Life on our Module Directory

Teaching

  • Close examination of texts written by historians of art and visual culture, media and culture theorists, film and art critics, and more
  • Subsidised gallery visits to study works ‘in situ’ for art history modules
  • Gain practical experience in curating, such as handling and installing artworks
  • Teaching takes the form of lectures and seminar sessions or discussion classes

Assessment

  • Assessment methods include coursework, for example essays, analysis of source material, exhibition reviews and virtual portfolios, coursework reports, oral presentations
  • Written examinations are taken for some modules at the end of each academic year, whilst others are assessed entirely by coursework

Fees and funding

Home/EU fee

£9,250

International fee

£16,050

Fees will increase for each academic year of study.

Home and EU fee information

International fee information

What's next

Open Days

Our events are a great way to find out more about studying at Essex. We run a number of Open Days throughout the year which enable you to discover what our campus has to offer. You have the chance to:

  • tour our campus and accommodation
  • find out answers to your questions about our courses, student finance, graduate employability, student support and more
  • meet our students and staff

Check out our Visit Us pages to find out more information about booking onto one of our events. And if the dates aren’t suitable for you, feel free to book a campus tour here.

How to apply during Clearing

Once you’ve checked that we have the right course for you, applying couldn’t be simpler. Fill in our quick and easy Clearing application form with as much detail as you can. We’ll then take a look and get back to you with a decision. There’s no need to call us to apply; just do it all online.

Find out more about Clearing

Interviews

We don’t interview all applicants during Clearing, however, we will only make offers for the following course after a successful interview:

  • BA Multimedia Journalism
  • BSc Nursing (Adult)
  • BSc Nursing (Mental Health)
  • BA Social Work

The interview allows our academics to find out more about you, and in turn you’ll be able to ask us any questions you might have. Further details will be emailed to you if you are shortlisted for interview.


Apply now
Colchester Campus

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Home to 15,000 students from more than 130 countries, our Colchester Campus is the largest of our three sites, making us one of the most internationally diverse campuses on the planet - we like to think of ourselves as the world in one place.

The Campus is set within 200 acres of beautiful parkland, located two miles from the historic town centre of Colchester – England's oldest recorded town. Our Colchester Campus is also easily reached from London and Stansted Airport in under one hour.

 

Virtual tours

If you live too far away to come to Essex (or have a busy lifestyle), no problem. Our 360 degree virtual tours allows you to explore our University from the comfort of your home. Check out our Colchester virtual tour and Southend virtual tour to see accommodation options, facilities and social spaces.

Exhibitions

Our staff travel the world to speak to people about the courses on offer at Essex. Take a look at our list of exhibition dates to see if we’ll be near you in the future.

At Essex we pride ourselves on being a welcoming and inclusive student community. We offer a wide range of support to individuals and groups of student members who may have specific requirements, interests or responsibilities.


Find out more

The University makes every effort to ensure that this information on its programme specification is accurate and up-to-date. Exceptionally it can be necessary to make changes, for example to courses, facilities or fees. Examples of such reasons might include, but are not limited to: strikes, other industrial action, staff illness, severe weather, fire, civil commotion, riot, invasion, terrorist attack or threat of terrorist attack (whether declared or not), natural disaster, restrictions imposed by government or public authorities, epidemic or pandemic disease, failure of public utilities or transport systems or the withdrawal/reduction of funding. Changes to courses may for example consist of variations to the content and method of delivery of programmes, courses and other services, to discontinue programmes, courses and other services and to merge or combine programmes or courses. The University will endeavour to keep such changes to a minimum, and will also keep students informed appropriately by updating our programme specifications.

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