Year 1, Component 04

From sculptures of ancient Roman politicians to virtuoso feats of Baroque illusionism, we will focus on `why` and `how` art and society interrelate. This module examines the relationship between visual culture and social life through case studies spanning more than two millennia of history. It focuses on a select number of major developments in a range of media and cultures, emphasising the ways that works of art function both as aesthetic and material objects and as cultural artefacts and forces.

This module offers an introduction to the history of museums and galleries. We will consider the basic human instinct to collect and the creation of the first museums. We will examine ideas about taxonomy, ordering the world and the first museum spaces of display, asking questions about privilege and power. How have museums and galleries shaped history and science? What ethical issues are there today around these spaces? Should tobacco, oil and arms companies sponsor museums? Can museums be tools of ‘urban regeneration’? Do online archives and 3D scanning make museums themselves obsolete institutions?

This module tackles some of the biggest questions surrounding the history of art. You will explore some key theoretical issues in the history of art, such as the nature of representation, by engaging critically with seminal texts and artworks. In this module, you will develop your analytical and interpretive skills, and leave with a solid foundation for the study of the history of art.

Realism and Impressionism. Meet the rule-breakers. What is it that motivates an artist to break the mould? Focussing on Realism and Impressionism in France, this module identifies not only how the political, social and economic changes during the nineteenth century affected art and creative thinking, but how these vibrant and multi-faceted artists, who refused to follow the crowd, influenced their world. Through analysis of primary and secondary sources, you’ll explore their historical reputation and their relevance today.

This module provides an introductory overview to the field of heritage and museum studies and explores some of the conceptual, political and ethical issues faced by those working within and researching in the area of heritage and museums. The module defines heritage, discusses how heritage is officially recognised, and presents the instruments that are used to interpret, protect, and communicate heritage, at local, national, and international levels. It also introduces the main aspects of museum studies, explains how the definitions of museums has changed through time and how this definition affects how we preserve and present heritage today. This module will introduce you to the history of heritage and museum management and will lay the foundation of some of the conceptual, political and ethical issues of the heritage and the museum field. It defines heritage as a process in which people makes sense of the past, in the present and for the future and how the aims of heritage and museum management changes according to the heritage process and its contexts.

The world does not have disciplines; it has problems. What's more, the most important problems we face - problems like climate change, migration, sustainable economic production, democratic governance, and so on - cannot be solved with the tools of any single discipline. Such problems require collaborative, creative, and interdisciplinary approaches, and this module introduces students to this type of interdisciplinary thinking. Students will learn how to approach complex problems by drawing on theories and methods from multiple disciplines, learning how to think flexibly and work with others to find creative solutions to real-world problems.

This interdisciplinary module explores the rich diversity of ways of knowing the world. We examine different frameworks of knowing that have characterised and shaped human societies historically and today.

What is contemporary writing? And how is it characterised? Don’t just study known “traditional” genres of literature, what about the emerging new genres of writing that are challenging readers? Analyse contemporary English writing, published within the last ten years, looking at themes, forms, issues and language.

How do we analyse moving images? What innovations have transformed the cinema experience? What moments and movements have been key to film history? Study the development of international cinema, looking at all aspects of the form, including analysis of theoretical issues, film language, and a variety of important directors and genres.

Want hands-on experience of the film process, from pre to post-production? Keen to tackle technical aspects, such as framing, lighting, sound and editing? Work individually and in small groups on your own projects, covering topics like how shots are framed through to the different editing techniques that manipulate film narrative.

This module aims to introduce you to a range of critical approaches for analysing contemporary television. Looking at television from the US and the UK from the last 30 years, you will gain an understanding into the ways in which scholars have investigated and interrogated these texts through key theoretical and conceptual frameworks. The module will consider our understanding of television through key issues in production, distribution, consumption, reception and representation. The module is broken into four parts. Part one examines television as text, particularly considering the role of broadcasters, networks and platforms in creating this text. Part two examines key genres in television, such as the police procedural and the sitcom. Part three examines the ways in which ideologies, for example, gender, race, sexuality and class, are taken up in contemporary television. Finally, part four examines the future of television, considering key issues which are challenging television as a form, such as convergence culture and transmedia storytelling.

Some of the most emotional and powerful literature of the 20th century was written by combatants and non-combatants during the First World War. Looking at writings in English and translation, as well as subsequent literary representations of the conflict, we will examine the unseen side of conflict. In this module you will investigate the lost voices of war, the writings of women and civilians as well as soldiers; you will explore the formation of poetic canons of the First World War; and you will critically analyse images of homecoming, shellshock and memories of war in drama, poetry and narrative. This module includes material on such topics as war, trauma, and bereavement.

What possibilities does radio offer a writer? What techniques are required? How can the main tools of dramatic construction be exploited for radio? Focusing on drama, study work currently being broadcast plus classic pieces. Make use of the University’s studio to record extracts of your own radio scripts.

Screen adaptations of Shakespeare form a significant part of our cultural experience of his plays. Global Shakespeare on Film takes a comparative approach and unites our departmental disciplines of literature, film, drama and creative writing to examine how interpretations of Shakespeare have developed across time and cultural boundaries. We will study several adaptations of Shakespeare's plays from around the world, focusing on films in languages other than English. Through a close study of the relationship between the plays and the films, we will investigate not only what Shakespeare offers to filmmakers, but how these directors, actors, writers, and designers enhance and evolve our understanding of Shakespeare.

What is US literature? What makes it different from other writing in the English language, particularly work from the UK? Study classic texts that have established US literature as a distinct tradition in itself and gain an understanding of the issues surrounding this.

This module is an introduction to some of the most influential European writers from the Enlightenment period up to the present day. You study significant works of literature that sparked particular movements or represent crucial literary innovation. The works selected are novels, novellas, short stories and plays, and we examine these texts within their historical and political contexts. This module will help you to build understanding of the development of genres, forms, styles, content and ideas.

How do you read a text closely? What is involved in close reading? With emphasis on you to active do the close reading, learn how this approach can contribute to your appreciation of meaning and significance in a diverse range of texts.

How do you get started as a writer? How do you practise your writing? And how can you make improvements? Using exercises and texts, focus on your basic skills and essay writing. Cover topics like characterisation, dialogue, point of view, plotting, suspense, and metaphor and imagery.

This interdisciplinary module serves several functions. Firstly, you will develop an understanding of your degree in the context of the wider world and specifically the graduate jobs market. You will come to understand the employability and career-development opportunities that are available to you during and after your time at Essex, and you will begin the life-long process of continuous professional development with a firm grounding in the practical skills and reflective practice involved. The module is divided into two parts: career-development learning; and Speaker Weeks, when a member of staff will interview guest speakers about their careers in fields that are allied to the arts and humanities. These will cover a range of career areas that may be of interest to humanities graduates in general: from media, arts, journalism, education, publishing, to entrepreneurship in related areas. These weeks are intended to be inspiring but also full of practical tips and ideas, with an emphasis on showing how careers develop over time, and what pathways students can explore to get to where they want to be; as well as what kinds of extra-curricular activities students can engage in now to open more doors professionally before and after graduation. In the career-development learning part of the module, you will cover topics such as the Graduate Labour market, the Humanities graduate, self-reflection and personal development, and how to research and apply effectively for jobs. Skills such as CV writing and interview technique will be covered. Two-hour interactive lecture/seminars will introduce students to careers resources and ideas, but will also include discussion and group work.

How can we use psychoanalytic theory to understand film, literature and television? What is culture and can it contribute to our understanding of psychoanalysis itself? Examine work by Freud and Jung, as well as more contemporary perspectives, through the lens popular culture.

What do you know about depth psychology? How do psychoanalysis and analytical psychology provide new understanding of society, culture and politics? Build your knowledge about depth psychology - psychological thinking that introduces the concept of a deep unconscious. Understand Freud’s theories and their significance in social and cultural analysis.

What do you know about depth psychology? How do psychoanalysis and analytical psychology provide new understanding of society, culture and politics? Build your knowledge about depth psychology - psychological thinking that introduces the concept of a deep unconscious. Understand Jung’s theories and their significance in social and cultural analysis.

This is the foundational module for your BA Drama Degree. We enrich your existing knowledge of major theatre practitioners – Aristotle, Brecht, Artaud and Stanislavski – and complement these studies by introducing new theatre theorists, movements and styles. Examine plays from Ancient Greece to today, discussing issues like genre, representation, reception, modernism and postmodernism. This module blends together practical and theoretical classes to create the building blocks for an informed study of theatre practice.

This module looks at how theatrical ideas developed and made into reality. The module guides you carefully through the technical expertise required, and allows you to explore lighting, sound and stage management in professionally-led workshops. Through a series of workshops, seminars and field trips, including theatre and gallery visits, students will be introduced to the variety of stimuli and strategies that theatre makers use to create a production. The content of this half-module is closely linked to the programme of the Lakeside Theatre, students will see professional performances, be introduced to visiting professional theatre makers and will experiment with a range of practical processes that they use. Students will be introduced to a variety of rehearsal processes and techniques commonly used by contemporary theatre and performance makers.

Theatre is a collaborative art form. A company of theatre practitioners gathers to make a production, comprising of a producer, director, designers, composers, production manager, performers, technicians, musicians, stage management, promoters, choreographers, scenic artists, set builders etc. according to the needs of the production and the confines of the budget. Each person plays a key role and makes an individual creative contribution to the whole. In this module, you will develop work related to Technical Theatre Arts. Through hands-on practical workshops, exercises, reflection and seminars this module introduces you to the basic principles of technical theatre, which will be crucial knowledge for use throughout your degree. You work through the basic concepts of lighting, sound, video, stage & production management, along with understanding health & safety in the theatre space. The conclusion of the module is an assessment that will see you working collaboratively with the goal of staging the technical aspects of a given performance piece on the main stage of Lakeside Theatre.