How can a nation reach its potential if it will not think of itself as new, independent and important? Study major writers from the nineteenth century onwards. Explore the development of US nationalism and literature. Examine the development of regionalism. Understand how these processes relate to wider transnational considerations.

How has African-American writing shaped US culture? And how has it often been at the forefront of literary experiment? Examine fiction and poetry that moved the African-American experience from the literary margins to cultural prominence. Understand literary developments, and how these link to broader historical, social and theoretical changes.

This survey module explores genealogies and differences in experimental poetry from the U.S.A, across the late 20th and early 21st century. As well as scanning the nation from East to West, this module pays attention to the 20th century as a period of Little Magazines and ambitious anthologies, considering the way that publishing and circulation practices have created "schools" of poetry.

Literature has been a site of conflict in the cultural history of the First World War. In The Social Mission of English Criticism: 1848-1932 (1983), Chris Baldick demonstrated that when the relatively new university subject of literature (under the generic term "English") was developing during the First World War, academics proclaimed that it was poetry which would save the nation. In 1919 the newly formed British Drama League aimed to bring about a lasting peace by promoting amateur dramatics nationwide. The idea of poetry as a repository of the authentic experiences of the "trench" poets as lost warriors has contributed to an anglocentric perspective on the war and a reinforcement of poetry as the ultimate aesthetic form. Such a perspective, distilled in Paul Fussell, The Great War and Modern Memory (1975), was challenged by Claire Tylee, The Great War and Women's Consciousness (1990) as well as Jay Winter, Sites of Memory, Sites of Mourning: The Great War in European Cultural History (1995). This module draws on a wide and rich field of literature and literary criticism. It locates the literary engagements with the First World War in the global context of wartime responses and the wider reflection on the impact of war which reverberated through genres and literary and cultural movements. This module includes material on such topics as war, trauma, and bereavement.