Arts
UECLAA artist exhibits in London
Brazilian printmaker and Essex's Artist in Residence, Alex
Gama, visited the UK recently to see a selection of his works exhibited in
London at an exhibition curated by Gabriela Salgado, curator of the
University of Essex Collection of Latin American Art (UECLAA).
The exhibition, held at the Brazilian Embassy's Gallery 32, consisted
of 22 works in a variety of media, including a number of abstract prints
and drawings all of which are noted for their beauty and elaborate
execution.
Gama is one of the most important of UECLAA's donors, with 28 pieces in
the collection, and it was Gabriela who selected the works to be exhibited
in London. His work has been exhibited in the UK before but only in group
shows of UECLAA works here on campus.
It has been the mission of the Brazilian Embassy to promote in the UK
the richness and diversity of Brazilian culture and art. As such they have
promoted various Brazilian artists and events in recent years of which
this exhibition was just one.
During his trip to the UK Gama also produced a new series of prints
which went directly to UECLAA. Whilst working at the London Print Studio
Gama's unique technique was revealed. Most printmakers use a press but
instead Gama uses just a simple wooden spoon applied to the reverse of the
paper in order to achieve maximum control of the different pressures
necessary.
Gallery welcomes The Architecture of Madness
Leon Ferrari, one of the foremost conceptual artists
working in Latin America today, will be showing work in the University
Gallery this summer in a show entitled The Architecture of Madness.
Born in Argentina in 1920, Ferrari initially trained as an engineer,
only deciding to become an artist in his forties. Since then Ferrari's
work has constantly shocked the art world with its debunking of political
or religious pomposity. Through irony and humour, the works in this
exhibition subtlety suggest a rebellion against ordered society.
At first site the art works, a series of heliographs, look just like
architect's plans of ordered environments with city streets, squares and
road systems. Yet on closer inspection another world is revealed. The
plans are made up of common architect's symbols for people, beds, desks
and pathways. However, these symbols soon acquire different meanings. In
one plan symbols of people line up to view an empty square, while in
another a lecturer reads a paper to a group of toilets and in another
hundreds of people struggle to get into the same bed. Through Ferrari's
highly personal re-interpretation new and humorous meanings are revealed.
Ferrari transgresses the sterile white of the architectural plan and turns
it into a chaotic world through a creative hand.
The Architecture of Madness will be at the University Gallery from
Thursday 4 July to Saturday 13 July. Admission is free and opening times
are as follows: Monday to Friday 11.00am-5.00pm, Saturday 1.00pm-4.30pm.