EA337-6-FY-SO:
Dissertation
2023/24
East 15 Acting School
Southend Campus
Full Year
Undergraduate: Level 6
Current
Thursday 05 October 2023
Friday 28 June 2024
30
08 April 2021
Requisites for this module
(none)
(none)
(none)
(none)
(none)
BA W900 Creative Producing (Theatre and Short Film),
BA W900MV Creative Producing (Theatre and Short Film)
In this module students will devise and plan a performance project (national / international tour; a festival; a feature film) in the media of your choice.
As this is a theoretical project, students will not be required to realise the plan in practical terms, and as such provide the widest possible scope for their creative ambitions. Nonetheless, artistic concepts (script, design, wardrobe, etc.) and the practicalities of running the project (costing, venues, staging, casting and production schedules, etc.) need to be researched and presented in detail. This will require students to utilise the core skills and knowledge that were developed during the first and second year, use various forms of research, and demonstrate both oral and written expression of ideas.
1. To consolidate the students’ learning through a focus on a single project
2. To encourage the application of knowledge to specific criteria and circumstances
3. To develop students’ communication skills, written and oral
4. To increase employability prospects, by encouraging students to apply learning to a professional level project
5. To further develop planning, critical thinking and problem solving
Students will be able to demonstrate:
1. The understanding of the complex nature of the industry production process
2. The ability to plan a large-scale project
3. Ability to identify problems and devised appropriate solutions
4. Creative and Lateral thinking
5. Ability to communicate complex concepts and organizational planning
No additional information available.
This will be taught through lectures in the early stages of the year-long module. As the students move into Terms 2 and 3, the teaching will take place through tutorials and feedback on interim, written assignments.
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Peter Ansorge (no date) From Liverpool to Los Angeles. Faber & Faber.
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LaBelle, B. (2010)
Acoustic territories: sound culture and everyday life. New York: Continuum. Available at:
http://dx.doi.org/10.5040/9781501336225?locatt=label:secondary_bloomsburyCollections.
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David Sonnenschein (2001)
Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema. Available at:
https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=6188352.
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Banham, M. (1995) The Cambridge guide to theatre. Cambridge: Cambridge University Press.
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Bentley, E. (2008a)
The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama. [New ed.]. London: Penguin. Available at:
https://app.kortext.com/Shibboleth.sso/Login?entityID=https://idp0.essex.ac.uk/shibboleth&target=https://app.kortext.com/borrow/1095981.
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Bentley, E. (2008b)
The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama. [New ed.]. London: Penguin. Available at:
https://app.kortext.com/Shibboleth.sso/Login?entityID=https://idp0.essex.ac.uk/shibboleth&target=https://app.kortext.com/borrow/1095981.
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Cowgill, L.J. (2005)
Writing short films: structure and content for screenwriters. 2nd ed. Los Angeles, CA: Lone Eagle Pub. Available at:
https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=739969.
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Cooper, P. and Dancyger, K. (2004)
Writing the short film. 3rd ed. Boston, Mass: Focal. Available at:
https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=232109.
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Donald C Farber (2006) Producing theatre. New York: Limelight Editions.
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Shore, A., Carfora, J.M. and SMRO. (2011)
The art of funding and implementing ideas: a guide to proposal development and project management. London: SAGE. Available at:
http://sk.sagepub.com/books/the-art-of-funding-and-implementing-ideas.
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Mitchell, K. and Hytner, N. (2009)
The directors craft?: a handbook for the theatre. London: Routledge. Available at:
https://doi-org.uniessexlib.idm.oclc.org/10.4324/9780203889701.
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Figgis, M. (2014)
Digital filmmaking. Revised edition. New York: Faber and Faber. Available at:
https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=30270939.
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Bruce A. Bergner (30AD)
The Poetics of Stage Space: The Theory and Process of Theatre Scene Design. McFarland & Co. Available at:
https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=576885.
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Edgar, D. (1999) Playwrights on playwriting. London: Faber.
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Radosavljevic, D. and Palgrave Connect (Online service) Theatre and Performance 2013 (2013)
Theatre-making: interplay between text and performance in the 21st century. Basingstoke: Palgrave Macmillan. Available at:
https://link.springer.com/book/10.1057/9781137367884.
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Thurlow, M. and Thurlow, C. (no date)
Making short films: the complete guide from script to screen. Third edition. London: Bloomsbury Publishing. Available at:
https://app.kortext.com/Shibboleth.sso/Login?entityID=https://idp0.essex.ac.uk/shibboleth&target=https://app.kortext.com/borrow/931714.
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Mamet, D. (1992) On directing film. New York: Penguin.
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Crispin Raymond (1998) Essential theatre. London: Arts Council of England.
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Marshall, K. (1998) Theatre Management: A Successful Guide to Producing Plays on Commercial and Non-Profit Stages. Studio City, USA: Scarecrow Press.
The above list is indicative of the essential reading for the course.
The library makes provision for all reading list items, with digital provision where possible, and these resources are shared between students.
Further reading can be obtained from this module's
reading list.
Assessment items, weightings and deadlines
Coursework / exam |
Description |
Deadline |
Coursework weighting |
Coursework |
EA337 Dissertation |
|
100% |
Exam format definitions
- Remote, open book: Your exam will take place remotely via an online learning platform. You may refer to any physical or electronic materials during the exam.
- In-person, open book: Your exam will take place on campus under invigilation. You may refer to any physical materials such as paper study notes or a textbook during the exam. Electronic devices may not be used in the exam.
- In-person, open book (restricted): The exam will take place on campus under invigilation. You may refer only to specific physical materials such as a named textbook during the exam. Permitted materials will be specified by your department. Electronic devices may not be used in the exam.
- In-person, closed book: The exam will take place on campus under invigilation. You may not refer to any physical materials or electronic devices during the exam. There may be times when a paper dictionary,
for example, may be permitted in an otherwise closed book exam. Any exceptions will be specified by your department.
Your department will provide further guidance before your exams.
Overall assessment
Reassessment
Module supervisor and teaching staff
No
No
No
Ms Rosalind Maddison
Royal Conservatoire of Scotland
Head of Production
Available via Moodle
No lecture recording information available for this module.
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